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Play Explores 'Variations' of Chekhov's 'Seagull'

nina poster image°µĶų±¬ĮĻapp graduating seniors Brynn Mitchell, Elaine Pazaski and James Wong present a fresh, fierce homage to the central characters of Anton Chekhovā€™s classic, ā€œThe Seagull,ā€ in ā€œThe Nina Variationsā€ by Stephen Dietz on Friday, Feb. 6, and Saturday, Feb. 7, at 8 p.m. in Porter Theatre. The play, directed by Mitchell with scenography by Wong and starring Pazaski as Nina, is free and open to the public. For more information, please contact (805) 565-7040.

ā€œI love the nuance that Stephen Dietz explores with each alternate ending of Chekhovā€™s masterpiece,ā€ Mitchell says. ā€œEvery time I read it and see it unfold as I direct, I learn something new about the characters and the symbolism that saturates the story. One of my personal interests as an artist is exploring a diverse array of perspectives, and this show provides me with 42 opportunities to do so.ā€

Elaine Pazaski as Isabel in 'Pirates of Penzance
Elaine Pazaski as Isabel in 'Pirates of Penzance

Dietzā€™s varying vignettes on the final scene of ā€œThe Seagullā€ can present a challenge to the main actress. ā€œSimply tackling the large amount of text was transformative and rewarding for me,ā€ Pazaski says. ā€œBut I grew the most exploring such a wellĀ­-loved character from a famous play, balancing Chekhovā€™s original image of Nina against Dietzā€™s Nina, and then making her and her story my own.ā€

The play includes the character, Treplev (a young writer), who is performed by juniors Connor Bush, Brent Starrh, Lindsey Twigg, Grady Goff, Donald Scherschligt and Mackenzie Ellis; sophomore Kenneth Chism and first-Ā­year Anna Telfer.

Pazaski in 2014 Fringe Festival
Pazaski in 2014 Fringe Festival

Wongā€™s unique design began by uncovering similarities and differences in ā€œThe Nina Variationsā€ and ā€œThe Seagull.ā€

ā€œI ended up with this wasteland abstraction of Treplevā€™s study room through the use of chairs and paper to convey the limitless variations/explorations that could have occurred in ā€˜The Seagullā€™sā€™ last scene, but never did,ā€ he says.

ā€œYou donā€™t have to be in love with Chekhov to understand and enjoy the play,ā€ Mitchell says. ā€œWeā€™re putting our own personal touches on the show and will include a synopsis of ā€˜The Seagullā€™ in the program to give everyone all the information they might want to know.ā€